Friday, December 28, 2012

New Shade of Greenhouse

[Experimental LSC greenhouse at UC Santa Cruz Arboretum]

story and photos by Daniel Tran

Imagine if you could attach tiny photovoltaic cells along the edge of your old drafting triangle (mine was pink) and generate electricity while while you were drafting.  You can.  Luminescent Solar Concentrator (LSC) technology isn't much different in theory and has been around 1970's but has faced major obstacles in terms of cost and long term durability of the plastics and dyes required.  Recent advances in the automotive industry have led to plastics and dyes resistant to long term solar exposure while advances in the solar industry have lead to more affordable hardware.  These breakthroughs coincide with emerging horticultural practices that explore the health and performance enhancing effects of color filters on plant photosynthesis.

At the UC Santa Cruz Arboretum, university scientists and researchers are embarking on intersectoral 'cutting edge/growing edge' research into how LSC can be best adapted to new systems of greenhouse production.  The research project just finished its first season comparing crop trial performance in two different greenhouses: one conventional and one retrofitted with an experimental LSC system that incorporates red light filters and produces 800w in full sun (50w per sqm.  Of the several different crop varieties, solanums (tomatoes, peppers, eggplants) in particular are know to benefit from red light.  Meanwhile solar energy is collected from the rest of the color spectrum in the embedded concentrators via refraction within the red LSC sheets.  Incidentally, solanums are also primary cash crops for many greenhouse and high tunnel productions in cold and marginal climates like Santa Cruz.  Crop production data is yet to be released.  


[Views inside the experimental greenhouse]

Another aspect of the research is a series of interviews and workshops that Ian Carbone and Derek Padilla will be conducting with small farms in Santa Cruz County in which they hope to address the following questions: 

-Can the solar greenhouses be used to help smaller or more environmentally conscious farms become more competitive in California food systems? 
-How can we develop a design process that takes into account the conscious and also unforeseen needs of small-scale Santa Cruz County farmers? 
-Who do we want to include in the design process and to what extent?

They further hope to start a non-profit organization to facilitate the next phases of collaborative design and implementation of LSC greenhouses.

Aside from the potential of providing small scale farmers with new affordable means of sustainability, grid parity and energy independence, there is also great interest in how LSC applications could enable large scale greenhouse producers to double as large scale renewable energy producers while enhancing their plant production within same footprint.  While standard PV panels cost $1/watt and produce 200w/sqm, LSC panels can produce 50w/sqm at a $0.50/watt cost and alllow light transmittance below.  

Meanwhile the many potential applications of LSC in the city for both city growers and city dwellers alike remain to be explored.... 

Friday, December 7, 2012

Photo Friday - Lost Agrarian Landscapes


Barbara Kingsolver has said: "At it's heart, a genuine food culture is an affinity between people and the land that feeds them." Which describes well the impulse behind the current urban farm/backyard food garden/farm-to-fork movement. In our madly urbanizing world, whole generations of people who have always lived in cities, have felt the call to connect with the land. 

But what about those still tied to the land, and to traditional farming practices? For such peoples it is probably not about a food culture, but it is the very basis of existence, their society and culture that relies on such an affinity. In this vein, I highly recommend Khadak, a beautiful surreal narrative film in the tradition of Tarkovsky and Sergei Parajanov, that examines the social and spiritual effects of official relocation programs on Mongolian herders. 



The film moves from the stark, vast landscape of the Mongolian steppes, to the 'drosscape' of a coal mine and finally into the modern Chinese city. It is an open critique of political and social policies towards farmers and ethnic minorities - and it is an accidental critique of land use policies and centralized planning efforts. The effects of the mandatory 6-8% growth rate on the Chinese landscape cannot be understated, and this film is a great essay on lost agrarian landscapes and the attitudes and policies behind that loss. It is also a glimpse into the changing landscape, it's design and values.





all images are film stills from Khadak